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- December 27, 2024 CST
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Jul 4, 1998Emmylou Harris appears at Willie Nelson's Fourth of July Picnic, held in Luckenbach, Texas, for the fourth straight year. Also in the mix are Ray Price, Asleep At The Wheel, Jack Ingram and Billy Joe ShaverSep 30, 1998Asleep At The Wheel records "End Of The Line" at Austin's Bismeaux Studio, for the Bob Wills tribute album "Ride With Bob"Nov 2, 1998Vince Gill's annual celebrity basketball game at Belmont University attracts Terri Clark and Asleep At The Wheel's Ray Benson, among othersNov 15, 1998Lee Ann Womack joins Asleep At The Wheel at Nashville's LOUD Recording Studio to record "Heart To Heart Talk" for the Bob Wills tribute "Ride With Bob." The album receives a Grammy nomination in January 2000Nov 16, 1998Asleep At The Wheel records "Bob's Breakdowns" with a cast that includes Vince Gill and Steve Wariner, among others, at Nashville's LOUD Recording Studio. The instrumental eventually earns a Grammy nominationNov 17, 1998Reba McEntire trots into Nashville's LOUD Recording Studio to join Asleep At The Wheel in cutting "Right Or Wrong" for the Bob Wills tribute "Ride With Bob." The project gains a Grammy nomination for Best Country AlbumDec 17, 1998Asleep At The Wheel records the instrumental tracks for "Bob Wills Is Still The King" at Austin's Bismeaux Studio. Three months later, Clint Black adds his vocals to the song, part of a Grammy-nominated Bob Wills tribute, "Ride With Bob"Dec 20, 1998Asleep At The Wheel records "New San Antonio Rose" with Dwight Yoakam at the Mad Dog Studio in Burbank, California, for the Bob Wills tribute album "Ride With Bob." The album picks up a Grammy nominationJan 20, 1999Tim McGraw joins Asleep At The Wheel to record "Milk Cow Blues" at Nashville's LOUD Recording Studio in the first session for the Bob Wills tribute album "Ride With Bob" since the Christmas break. The album gains a Grammy nominationJan 21, 1999Asleep At The Wheel and The Dixie Chicks join forces at Nashville's LOUD Recording Studio for the first of three sessions on "Roly Poly." The track earns a Grammy nomination for best country collaboration
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