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    • Jun 27, 1978
    Bobby Bare records "Sleep Tight, Good Night Man" in an afternoon session at Nashville's Creative Workshop
    Jun 28, 1978
    A nine-piece string section is overdubbed to Billy "Crash" Craddock's "If I Could Write A Song As Beautiful As You" at Nashville's Woodland Sound
    Jun 28, 1978
    Gene Watson records "Should I Come Home (Or Should I Go Crazy)" and "Nothing Sure Looked Good On You" at the Jack Clement Studios in Nashville
    Jul 5, 1978
    Percussionist Farrell Morris adds to Bobby Bare's "Sleep Tight, Good Night Man" during overdub session at Nashville's Creative Workshop
    Jul 6, 1978
    Con Hunley records "I've Been Waiting For You All Of My Life" in a morning session at Nashville's Columbia Studio B. Also cut is a version of "That's All That Matters," destined to become a hit for Mickey Gilley two years later
    Jul 6, 1978
    A 12-piece string section is added to the Johnny Rodriguez single "Alibis" during a 5 p.m. overdub session at Nashville's Sound Stage
    Jul 10, 1978
    A string section overdubs parts to Bobby Bare's "Sleep Tight, Good Night Man" at Creative Workshop in Nashville
    Jul 11, 1978
    Bill Medley, a future Academy of Country Music nominee, records in Nashville for the first time at the Jack Clement Studios with producer Larry Butler
    Jul 15, 1978
    Kenny O'Dell records "As Long As I Can Wake Up In Your Arms" in a morning session at Nashville's Jack Clement Studios
    Jul 18, 1978
    Overdubs are conducted on a pair of Barbara Mandrell hits--"Sleeping Single In A Double Bed" and "(If Loving You Is Wrong) I Don't Want To Be Right"--at Nashville's Woodland Sound Studio
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